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Everything String |
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Works by Publisher Number |
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§ Please click on the title to view a sample of the
score in a new window. § Tab back to this page to click on a link to hear
the music fully then tab back to view the score. § Recordings marked
* are live recordings. § All recordings maybe downloaded for educational
purposes. ENJOY! |
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Grades: 1 = Easy 2 = Moderately Easy 3 =
Moderately Challenging 4 = Challenging 5 = Professional
Repertoire |
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PUB. NO. |
GRADE |
SCORE SAMPLES & RECORDINGS |
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ES 01 |
1.5 |
Fiddlers
Ahoy! by Stephen Chin A nautical theme right from the start! You can
feel the swell of the waves in the violas and cellos. Sea breezes are played
by the seconds using easy open string crossings. The main theme is
energetically stated in double quavers by the first violin. Everybody gets a piece of the action
throughout. The middle section in B minor, featuring the cellos, evokes
images of a ghost ship. Suspense is
created while all are waiting for the sea breezes to pick up again. The rollicking ending is truly fun to play! |
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ES 02 |
1.5 |
Two
Traditional Folk Songs Traditional arr. Chin
Listen
to Let All Mortal Flesh Keep Silent* These two contrasting works demonstrate the
enduring power of beautiful tunes. The
very expressive "Let all Mortal Flesh" was originally an old French
folk song. The arrangement of
"Drunken Sailor" is a real gem, allowing all sections to shine.
This is a sure winner amongst younger players! |
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ES 03 |
1 to 1.5 |
Three
Sixteenth Century Dances by Gervaise et al arr. Chin The predominantly homophonic writing makes this
an excellent introduction to Early Music.
The second piece written by Arbeau was used much later by Peter
Warlock in the well known "Capriol
Suite". Bass drum or tambour
parts may be improvised and added to give a more authentic flavour. |
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ES 04 |
2 |
Three
Baroque Classics by Bach, Handel &
Telemann arr. Chin The musette is a small French bagpipe that became
quite fashionable in Louis XIV's time. In the "Musette" the note G
sounds throughout, allowing for developing players to carefully pitch their
notes. The "Air" comes from
Handel's opera "Rinaldo" and is one of the most beautiful tunes
ever written. The set concludes with a
very jolly bourree by the most prolific composer of all time - Georg Philipp Telemann. |
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ES 05 |
2 |
Gypsy Airs by
Sarasate arr. Chin Pablo Sarasate (1844 - 1908) was a brilliant
Spanish violinist and composer. His works,
although often fiendishly difficult, are very evocative and display a wide
range of emotions and violin pyrotechnics. His more famous works include
"The Carmen Fantasy", a number of Spanish Dances and Zigeunerweisen (Gypsy Airs). This arrangement, retaining
the expressive and virtuosic elements of the original work, is eminently
playable by younger musicians. |
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ES 06 |
2.5 |
Two
Renaissance Pieces by Peerson & Susato
arr. Chin Listen
to The Fall of the Leafe* The English composer Martin Peerson (1571 - 1650)
wrote "The Fall of the Leafe" originally for a virginal, a gentler
version of the more robust harpsichord. The descending notes in the piece
impart the wistfulness of a beautiful autumn day. The "Battle
Pavan" is amongst many pieces written by Susato
(1500-63) that were part of a night's entertainment in a number of the courts
in the Netherlands. The call -
response style between the sections features in this arrangement. |
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ES 07 |
2.5 |
Two
Russian Classics by Mussorgsky
& Rebikov arr. Chin Listen
to Dance Caracteristique* Expose your students to the wonderments of noble
Russian music! The
"Promenade" links various pieces in a larger work by Mussorgsky
entitled "Pictures at an Exhibition"
and changes as the viewer (listen) wanders from painting to painting. This arrangement cleverly combines two contrasting
renditions. "Danse Caracteristique" makes use of harmonics, syncopated
accompaniments and chromatic scales, all supporting an array of great melodies. |
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ES 08 |
3 |
Allegro in G by Pleyel arr. Chin Pleyel was once described by his teacher Haydn as
his most illustrious student. Indeed
many of his works demonstrate a witty yet elegant compositional style. This
arrangement of the Duet opus 8 no. 2 introduces students to the disciplines
of Classical period music in a most delightful way. The main sections highlight different parts
of the ensemble. Techniques such as
spiccato quavers, slurred string crossings, martele
crotchets abound and are all quite manageable. |
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ES 09 |
4 |
Two
Debussy Masterpieces by Debussy
arr. Chin Listen
to The Girl with the Flaxen Hair* Amongst other things, Debussy often found his
inspiration in mysticism and exotic bric-a-brac. In "Funeral Urn" the elements of
the Gregorian chant are ingeniously combined with Eastern influences. "The Girl with the Flaxen Hair"
is one of Debussy's most poignant pieces. Students will enjoy the different
harmonic language and the rhythmic challenges in these works. |
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ES 10 |
1 |
Thirty Concert Pieces composed and arranged by Stephen Chin (Please note that separate Violin, Viola, Cello, Double Bass
& Piano Accompaniment books are available) Listen
to Thirty Concert Pieces Many string programmes have been started and
nurtured using these works! All parts
are in unison and the range restricted to the one octave D major scale. The
keys and the style of the pieces, however, change throughout. Technical and
musical issues have been carefully sequenced for the beginning player. The piano accompaniments are attractive and
are quite manageable for teachers with limited keyboard skills. |
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ES 11 |
2 |
Andante
and Allegro con brio by Steibelt arr.
Chin These charming pieces from the pen of the
brilliant pianist Daniel Steibelt (1765 - 1823)
reflect the poise and vivacity of Classical period music. The melody in the Andante explores the
sonorities of legato string playing.
Students will love lifting their bows for the crotchet-minim theme in
the Allegro con brio. The E minor
middle section allows the firsts to really show off! The melodic line is effectively shared
throughout. |
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ES 12 |
1 |
Five
Renaissance Pieces by Susato et al arr. Chin Listen
to Schirarazula Marazula* What a great way to introduce students to the
delights of Early Music! Most of the
rhythms are simple crotchets and minims with a few quavers in the first
violin part. In keeping with
performance practices from this period, some improvised percussion parts
could be added for an even more authentic sound. |
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ES 13 |
2.5 |
Two
Russian Folk Songs Traditional Russian arr. Chin If you work hard, play hard! That is what these
two pieces bring to mind when played side by side. The melody in "The
Volga Boatmen" is shared and is supported by well-shaped
counter-melodies. The sense of fun in
"Two Guitars" is quite infectious, exploring some of the challenges
of spiccato quavers. |
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ES 14 |
2.5 |
Praelude from the Holberg Suite by Grieg arr. Chin Listen
to Praelude form the Holberg Suite* Well you don't have to wait for years for your
ensemble to tackle Grieg's wonderful "Holberg Suite". This arrangement is faithful to the
melodic, harmonic and formal structures of the original Praelude
but has filtered out some of the tricky figurations. Off the string work, trills, accented
quavers, light legato bowing, martele and pizzicato will really allow your players to
sparkle! |
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ES 15 |
3.5 |
Two
Handel Classics by Handel arr. Chin At last, two of Handel's most famous and
endearing works alongside each other.
The "Largo" explores the sonorities of the Baroque
arioso. The melody flows gently from
part to part. The Halleluja Chorus is possibly the
most famous chorus ever written. All
parts have been carefully adapted to retain the original antiphonal effect
between the chorus and orchestra. |
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ES 16 |
3 |
Arctic Fire by Stephen Chin The striking sound of the first
violin harmonics cut as blowing ice in an Arctic landscape. It's so cold you just start to burn. These are just a couple of the images that
this powerful work conjures up to players and audiences. "Arctic Fire" abounds in tonal
surprises including glissando, pizzicato, metrical changes, harmonics,
tremolo and drones. Effective textures, such as a string quartet playing a
section with the backing of the rest of the ensemble, have been created. Melodic interest shifts around and even the
bass has a significant solo. Musicians
love to really let fly, in the best sense, with this composition! |
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ES 17 |
3.5 |
Celtic
Dreaming and Dance by Stephen Chin Listen
to Celtic Dreaming and Dance* This moving piece is filled to
the brim with poignant and ravishing melodies. The haunting main theme comes back in
various guises and returns with great effect towards the end of the
piece. Everybody will just want to get
up and dance a jig. Players enjoy the
string crossings, rhythmic drive and the variety of modes used throughout the
work. The audience will be dazzled
with the exquisite sonorities and spellbinding action as the musicians play |
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ES 18 |
1 |
Cottonfield
Calls and Praising Song by Stephen Chin Hand picking cotton is possibly
one of the most gruelling tasks known to man.
To make things easier, people in 19th century rural America
used to sing across the field in support of one another. The start of this piece is performed with a
different player for each bar and evokes this image very effectively. The ensuing "Praising Song"
celebrates the end of a tough day and you can just imagine all the singing,
clapping and stamping! An elementary
ensemble will sparkle as they play the double quavers, pizzicati
and syncopated beats. |
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ES 19 |
2.5 |
Two
Grieg Lyric Pieces by Grieg arr. Chin Listen
to The Watchman’s Song* Grieg's music is firmly rooted
in Norwegian folk song and these pieces are no different. The hymn-like "Watchman’s Song"
has a section where the watchman sees an apparition of a ghost. This is
demonstrated by the effective use of tremolo.
A melancholic waltz follows and you can just imagine being in a dimly
lit troll's cave! The contrast of keys
and playing styles in these works will also help fine-tune any ensemble. |
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ES 20 |
3 |
Two
Brahms Hungarian Dances by Brahms arr. Chin Listen
to Hungarian Dances nos. 1 & 2 Brahms freely adapted 21
Hungarian Dances for two pianos and eventually, symphony orchestra. The brooding nature of the 1st
Dance allows the ensemble to focus bow pressure into the string to produce a
fantastic tone. The 2nd
Dance is simply wild in its change of tempo and mood! Either one would make a rousing finale to a
concert. |
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ES 21 |
3 |
Two
Mozart Classics by Mozart arr. Chin Listen
to Alleluia from Exultate Jubilate* What an amazing pair these
are! Originally written for choir or solo voice and orchestra, Ave
Verum Corpus and the Alleluia from "Exultate Jubilate"
continue to be two of Mozart's most cherished liturgical compositions. All the difficult melismas have been
adapted so that none of the original excitement is lost. |
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ES 22 |
3 |
Two
Bach Classics by Bach
arr. Chin Listen
to Jesu Joy of Man’s Desiring* Apart from writing some of the
most extraordinary music ever, Bach was a man of deep religious faith. These two works are certainly a testament
to his convictions. Both arrangements
allow various sections of the ensemble to shine as they take turns in playing
the wonderful melodies. |
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ES 23 |
3 |
North
Sea Voyage by Stephen Chin Get ready for an
adventure! You can almost feel the
chill of the wind and the icy sea spray in your face as this dynamic piece
unfolds. Effects such as high pitched
first position harmonics, sul ponticello and arco/pizz on the one part add to the sea-faring atmosphere.
The repeated quavers, which may be played on or off the string, keep the
sense of a voyage underway. You can just imagine the wonders of the Northern
Lights in the middle part. Sections of the ensemble can hardly wait their
turn to play the gorgeous melodies that abound in this dynamic work. |
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ES 24 |
1.5 |
Ice Mountain by Stephen Chin After
the footsteps in the snow at the start, everybody gets down to business. The repeated quavers in the main theme
depict the chiselling action of a pick as climbers frantically make their way
up an ice covered rock face. All is
calm in the middle section as the adventurers take in the breathtaking view
at the top. The chiselling continues as they make their way down. Younger
players will genuinely love playing this highly energetic work with its
captivating tunes and strong harmonic drive. |
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ES 25 |
1 |
This
Train Traditional American arr. Chin All aboard! This arrangement of the popular spiritual
will have the whole ensemble excited.
The melody is shared around so that even the least experienced player
can have a piece of the action.
Clashing notes depict the train's whistle effectively. There is no use of low 2nd
finger in the upper parts whilst the lower strings work within a simple left
hand frame. Easily managed syncopated
notes add even more spice and pizzazz.
Younger players will have a blast with this one! |
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ES 26 |
2 |
Renaissance
Feast by Various Composers arr. Chin Eat, dance and be merry! This wonderful collection of seven pieces
even includes a work by Henry VIII.
Intermediate players will enjoy the musical variety drawn from
different parts of Renaissance Europe.
The homophonic writing is wonderful for the development of accurate
intonation and uniform bowing styles. |
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ES 27 |
1.5 |
The
Bee by Stephen Chin What a cutie! This piece promotes the use of separately fingered
eighth notes, which can be performed easily by upper elementary players. Watch the sections try to outdo each other
in the middle part as they tackle the harder sounding string crossings
without difficulty. Canonic invention, harp-like pizzicati
and the varied eighth note figurations are just a few features that make this
an attractive selection for all involved. |
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ES 28 |
1.5 |
Telemann
Suite by Telemann arr. Chin Georg Philipp Telemann (1681 -
1767) composed at an astounding pace.
His works include 1043 cantatas, 46 passions, 40 operas, over 100
concertos, 700 orchestral suites and volumes of chamber music. He is named in
the Guinness Book of Records as the most prolific composer of all time. These
4 movements are representative of Telemann's elegant style and ability to
write very attractive tunes. Useful
string techniques such as martele crotchets,
zig-zag bowing and lifted upbows are ideal for developing ensembles. |
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ES 29 |
4 3.5 & 1 |
Lords
of the Loch by Stephen Chin This piece is huge! Written for upper intermediate string
orchestra, solo string quartet and elementary string ensemble (optional),
Lords of the Loch is the perfect festival piece for a wide range of playing
abilities. The inspiration for this
piece is drawn from Finlaggan, a loch containing
islands in Scotland that was ruled by a system of lords in medieval
times. Interestingly, it is believed
that they produced and exported harps to the continent and were, by most
accounts, a very civilised society. |
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ES 30 |
3.5 |
Crystal
Forest by Stephen Chin The whispering forest murmurs
set the mood for this enchanting tone poem.
A noble theme of sweeping beauty leads to a faster section where
another theme provides the material for a set of starkly contrasting
variations. The formidable list of
string effects include harmonics, glissandi, pizzicati,
and tremolo. A solo quartet is also briefly featured. Elements of the opening are cleverly
alluded to at the end where the light of the crystal points to a cascading
waterfall. Players will love linking
their imagination to the soundscapes in this work. |
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ES 31 |
1.5 |
Ghost
Ship and Sailors Dance by Stephen Chin The mysterious notion of a
ghost ship has been in people's minds for centuries and possibly had its
roots in ancient Greek mythology. After the eerie opening, an alluring theme
is stated by the firsts and is played by the other sections later. The use of pizzicato, tremolo and double
open strings will expose younger players to quite different textures. The "Sailor's Dance" is a most
energetic and attractive ditty. The ensemble will have a lot of fun playing
the storm-like middle section. It briefly
features a group of soloists just before a stirring conclusion. |
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ES 32 |
1 |
Prelude by Stephen Chin The interesting texture of
gradually expanding the harmony from a unison note is highlighted in this
piece. Gentle tonal clashes give
younger musicians an opportunity to become accustomed to the notion of
dissonance. Elementary players also have a chance to explore the use of
different bow speeds and lengths as the dynamics of the piece are constantly
changing. This is a wonderful
introduction to the sustaining and enveloping power of a string orchestra. |
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ES 33 |
2.5 |
Galop by Bohm arr. Chin Carl Bohm (1844 - 1920) was a
renowned teacher and composer of effective works for developing
violinists. His famous "Moto
Perpetuo" is played by nearly every violinist. The "Galop" is a similar piece
but has a lyrical middle section which, in this arrangement, features the
cellos. The double semiquavers will
certainly appeal to players who like to show off! Some of the work is shared around so that
everybody has a chance to shine. |
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ES 34 |
2 |
Advance Australia Fair Australian National
Anthem arr. Chin Listen
to Advance Australia Fair This is Australia's National
Anthem and we are proud to include it in our catalogue. The words to the first verse are given and
the piano part could be played whilst the string players sang a verse if
required. The key of A major allows
most voices to tackle the wide range of notes. This is a great one for school
assemblies and the like. |
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ES 35 |
3 |
Divertimento by
Mozart arr.
Chin Originally written for wind
ensemble and later arranged for pianoforte, these charming movements have
been carefully placed to give the sense of a fully integrated work. Indeed some elements of this work are
similar in vein to Mozart's famous "Eine Kleine Nachtmusik" written
several years later. Well
seasoned intermediate players will enjoy the challenges of
spiccato quavers, martele crotchets, measured
tremolo and lifted upbows, all of which are a must for developing precision
and clarity in a more advanced string ensemble. |
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ES 36 |
3 |
La
Follia by Corelli arr Chin Arcangelo Corelli (1653 - 1713)
wrote music that everyone in his time tried to emulate. He effectively set the benchmark for
musical composition in the Baroque period.
This arrangement draws on the last of the twelve opus 5 violin
sonatas, which are a set of twenty-four variations on an old Spanish melody
entitled "La Follia". Five
variations are presented here after the theme is enunciated. Each upper-string section plays the tune
fully against some of Corelli's original figurations. The main theme finally returns in an
opulent manner. |
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ES 37 |
3.5 |
Recuerdos de Buenos Aires by Stephen Chin Listen
to Recuerdos de Buenos Aires* There is nothing like the
vibrancy of Latin-American music! This
work is really an extended tango and will have the musicians sway as they
play. The title means "Reminiscences
of Buenos Aires" and evokes images of fiestas and non-stop dancing in
the Argentinean capital. Many string
effects such as pizzicato, tremolo, glissando and lifted down bows add much
colour to this already pulsating score.
Why not invite some people in the audience to dance as you play for
something a bit different? |
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ES 38 |
1 |
Guitar
Lullaby & Chit Chat by Stephen Chin These two contrasting pieces
are a must for younger players! "Guitar Lullaby" is based on a
familiar ground bass and allows students to experience the ease of moving
through a wide range without any difficulty. As it is plucked throughout,
upper string players may like to hold their instruments in a guitar-like
position. Chit Chat is a highly
effective call and response piece that introduces the elementary string
ensemble to very manageable syncopated rhythms. You may find people humming the catchy
tunes long after it is played! |
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ES 39 |
1.5 |
Night
Journey by Stephen Chin A carriage leaves in the dead
of night for an unknown destination.
The tempestuous weather is unforgiving. Someone is in pursuit of the person in the
carriage. Everything is now more
urgent than ever….. Let the players' imaginations run wild with this dynamic
work. The repeated quavers certainly
impart the feeling of an unsettled journey.
After a warmer middle section the pace is picked up again with an even
greater sense of urgency. All
sections of the string ensemble are highlighted at various points in the
piece. The journey concludes softly as the carriage disappears into the
gloomy night. |
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ES 40 |
3 |
Excelsis
by Stephen Chin (Full orchestra & 2- part
choir) The Gloria from the Latin Mass
has inspired musicians for centuries as it strives to pay homage to God. This work for orchestra and two part choir
is joyous, energetic and eminently playable.
A number of instruments are covered by alternative instruments so that
virtually any ensemble can play Excelsis effectively. The two vocal parts may
be easily sung down the octave by male voices. Each section of the orchestra
is featured in the interludes throughout and the work ends with an
exuberant flourish. |
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ES 41 |
3 & 1.5 |
Excalibur by Stephen Chin (Advanced and Optional
Elementary strings) The legend of Excalibur is sure
to fire the imaginations of young minds.
The opening creates a sense of mystery and foreboding as King Arthur’s
sword, Excalibur, rises from the waters.
A sword dance follows and one can just picture the clash of weapons
and armour. The mysterious theme
returns scintillatingly before the piece concludes with a thrilling
finale. Written for advanced and
elementary players, this work would be a fabulous conclusion to a string
festival. It may also be played effectively by just the advanced orchestra. |
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ES 42 |
0.5 to 1 |
A
Dozen Dazzlers by Stephen Chin
The transition for the beginner
player into a string orchestra can be quite daunting. These little gems however are just the
thing for the transitional player. Unison, simple part and call- response
writing prepare the players for the greater demands of playing in a full
string orchestra. Pizzicato, legato,
staccato and harmonics are just a few techniques that are exposed to the
young player. Your students will just
beg you to play some of their favourite Dazzlers over and over! The set comes
with a downloadable recorded accompaniments with practice and performance
speeds. |
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ES 43 |
1 |
Circus
Treats by Stephen Chin Everyone loves the thrill and
fun of a circus! The Carousel is a
simple yet effect waltz where the melodic line is shared between the parts.
Young players also learn to play off the beat when they are accompanying. In
Siberian Tigers, players can really bite into the string and project a robust
tone whilst imagining the strength and
majesty of the tigers strutting around. Happy – Sad Clowns cleverly contrasts
major and minor tonalities without going out of familiar beginning finger
patterns. |
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ES 44 |
1.5 |
The
Bells of Ghengis Khan by Stephen Chin Listen
to The Bells of Ghengis Khan* Ghengis Khan
was one of the the most feared warriors ever. In this piece, one can just picture him and
his soldiers riding across the plains of Mongolia into China. The driving rhythms, parallel fifths and heavily
accented chords all create an atmosphere strength and awe whilst in
battle. The middle section uses the
pentatonic scale to convey a gentler side to this daunting figure, perhaps as
he rests at night in his tent. The
work concludes with much energy as Ghengis Khan
moves ferociously on to his next battle. |
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ES 45 |
2.5 |
Spy
- time Rag by Stephen Chin Nothing is as it seems…. There
are many clues but no answers…. All the spies, super sleuths and detectives
are out in force to stop world domination and everyone is just having a great
time doing it! Students will love the
catchy syncopated tune against little hints of chromatic harmony. Pizzicato, harmonics and string crossing
all abound as our heroes try to save the day.
The work is in rondo form where each section of the orchestra makes
their shady appearance. |
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ES 46 |
3.5 |
Appassionato
in E minor by Pleyel arr. Chin Listen
to Appassionato in E minor* Pleyel was a highly esteemed
musician in his day and somewhat of an entrepreneur eventually running a
world famous publishing house in Paris in the early nineteenth century. This work, originally written for two violins
in 1806, exudes all the charm and drama of a late Classical style work. Being
in sonata form, the brooding
first subject is contrasted with the impish second theme in staccato
quavers. The movement ends with a lively duel between the first and second violins. Your orchestra will just love the vibrancy
and passion in this work! |
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ES 47 |
3 |
Four
Australian Folk Songs Traditional arr.
Chin (Full orchestra & Voice) Listen
to Four Australian Folk Songs Finally, an arrangement for
full orchestra and voice of four of the most memorable Australian folk tunes
that everyone can play and sing! The
vocal part may be sung by a soloist, unison choir or even by the audience as
a sing-a-long. Alternative instruments
are scored so that virtually any combination of instruments can be used. All the lyrics have been set but the work
may also be played as a purely instrumental work. |
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ES 48 |
3 |
Three
Masterpieces from the French Baroque
by Lully et Al arr. Chin Listen
to Marche pour la Ceremonie des Turcs* Listen
to Les Baricades Misterieuses* The splendour, opulence and
majesty of the seventeenth and
eighteenth century French court must have been one of the great
wonders of the world. These three
works reflect the spirit, grandeur and beauty that became the envy of
all composers in Europe at that time. |
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ES 49 |
1.5 |
Flight
of the Furies by Nolck arr. Chin Listen
to Flight of the Furies* The Furies in Greek mythology
brought the dead to the darker regions of the Underworld and appear
frighteningly in the legend of Orpheus. Originally a caprice for cello, this
work by the little known August Nolck, is just the piece for developing
string players to learn to play precisely in time. The work is really a perpetual motion in
quavers and promotes refined right- hand movements. Being in rondo form,
there are plenty of opportunities for each instrument to be challenged under
the spotlight of a section solo. |
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ES 50 |
3.5 |
Allegro
Dramatico
by Mazas arr. Chin Largely known for his very
effective etudes, Mazas also wrote a huge amount of attractive works for
various chamber ensembles. This work
written in the early nineteenth century originally comes from a duet for two violins. The late Classical early Romantic style is
clearly represented by incisive rhythmic patterns and extended lyrical melodies. Players will enjoy the energy and dramatic
contrasts in this beautifully crafted work. |
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ES 51 |
1.5 |
Winter
Waltz & Calypso Jive by Stephen
Chin Well you can’t get two works
that are more different than these!
The wistful beauty of winter is contrasted with the all the sun shine
of a Calypso fiesta. The Winter Waltz
is a delicate yet melancholic work and various sections of the ensemble have
a chance to play a sonorous melody.
The Calypso Jive is based on an infectious syncopated rhythm that will
have the whole orchestra and audience tapping their toes! |
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ES 52 |
4 |
Kookaburra by Stephen
Chin (Full Orchestra, Narrator &
Didgeridoo) This
work was commissioned by the Cooloola Shire Symphony
Orchestra in Queensland Australia in collaboration with some elders from the
Nations in that area. It is written
for full orchestra, narrator and didgeridoo.
It tells of the legend of how the Kookaburra got its laugh. It is also an effective introduction to the
instruments of the orchestra for younger listeners. The didgeridoo is featured but blends in well with the orchestra and
storyline. Audiences of all ages will
be engaged by the legend and the
variety of tonal colours. |
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|
ES 53 |
1.5 to 3 |
Chords,
Arpeggios and Scales – Violin by Stephen Chin (available also for viola) These booklets are so useful
for promoting accurate intonation, left hand frame-work, security in the
first three positions and a well projected tone. The keys presented are up to four sharps
and three flats and provide a solid diatonic foundation for the developing player. These keys have also been chosen so that tuning can be related
to the tonal anchor of one or more
open strings. Studied in conjunction with etudes and pieces, they provide the
teacher and student with a powerful way to achieve great tonal beauty. |
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|
ES 54 |
1 |
Rainforest
Sketches by Stephen Chin These three miniatures reflect the
wonderment and awe experienced as one journeys through a tropical
rainforest. Players will enjoy
exploring different moods and tone colours in each
work. The wide range of techniques
used such as pizzicato, sustained notes, double quavers and left-hand
pizzicato can be easily tackled by even the least accomplished of young
musicians. |
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|
ES 55 |
1.5 |
Three
Fanfares from the 18th Century by Clarke et al arr. Chin Listen
to the Prince of Denmark’s March* Roll out the red carpet! These fanfares have inspired many people
for centuries with their sense of majesty and occasion. All parts have been carefully crafted so
that they are eminently playable with the main melodies often shared around
the ensemble. |
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|
ES 56 |
1.5 |
Battle
at the Great Wall by Stephen
Chin Listen
to Battle at the Great Wall* This work is a companion piece
to the earlier “Bells of Ghengis Khan”. The insistent rhythms and pounding fifths
create an atmosphere of impending conflict.
The middle section depicts night time when the soldiers reflect upon
their loved ones. This however is short lived as the battle is resumed and
the victors’ shouts of triumph are
heard. Many techniques such as harmonics, tremolo and pizzicato add to the
rich tapestry of tone colours. |
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|
ES 57 |
2.5 |
Sarabande
& Gigue by Corelli & Vivaldi arr. Chin These two works from the pens
of two of the greatest Italian Baroque masters contrast elegance and poise
with vibrancy and brilliance. The Sarabande features simple melody over a
wash of suspensions. The Gigue allows
the orchestra to really show off with string crossings and effective quaver
figuration. |
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|
ES 58 |
3.5 |
Asturias by Albeniz arr. Chin Albeniz wrote this piece
originally for piano and it communicates all the brilliance and passion that
one associates with Spanish music. It
alludes to an ancient legend in the bygone kingdom of Asturias, a part of Spain
with many Moroccan influences. String techniques such as glissandi,
harmonics, tremolo, trills, pizzicato and sul
ponticello highlight the intensity and colour in this haunting work. |
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|
ES 59 |
1 |
The
Willows of Skye & Fiddlin' in Aberdeen by
Stephen
Chin Listen
to The Willows of Skye* Listen
to Fiddlin' in Aberdeen* Scotland is a country of truly
astounding contrasts. The many
varieties of willow trees of Skye grow in some of the most sublime and
haunting terrain known to mankind.
Players will be attracted to the lilting and poignant melody which is
shared amongst the ensemble. The
bag-pipe section will give players a good opportunity to refine their
intonation. Fiddlin’
in Aberdeen is inspired by the wonderful fiddle festivals that abound in this
busy town on Scotland’s east coast.
Left-hand pizzicato, harmonics and string crossings will help promote
a solid technique. |
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|
ES 60 |
1.5 |
Elegy
at Dig Tree & Goin' Overland by
Stephen
Chin Listen
to Elegy at Dig Tree & Goin' Overland These two works reflect the
pioneering spirit of Australia’s early explorers. Dig Tree was the place where the great
explorers Burke and Wills met their unfortunate demise through a series of
unfortunate mishaps. The Elegy expresses the sense of desolation these brave
men must have experienced in the unforgiving desert. Goin’ Overland, by contrast is brimming
full of the excitement and eagerness
that one would feel in tackling the Australian outback. String effects including tremolo,
harmonics, pizzicato and legato highlight this distinctly Australian work. |
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|
ES 61 |
2.5 |
Xanadu by
Stephen
Chin In Xanadu did Kubla Khan A stately pleasure-dome decree: Where Alph the sacred river ran Through caverns measureless to man Down to a sunless sea. - S T Coleridge. Xanadu is the third and final
work in the series containing The Bells of Ghengis
Khan and Battle at the Great Wall.
Kubla Khan, the grandson of Ghengis Khan,
was by contrast a leader who was interested in the finer aspects of living
such as literature, music and calligraphy.
Clashing chords, piquant harmonies and a wide range of accessible
string effects will ignite much enthusiasm in younger players. |
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|
ES 62 |
3.5 |
Introduction
and Fandango
by Boccherini
arr. Chin Listen
to Introduction and Fandango Originally written for a string
quintet, this marvellous work was also arranged by Boccherini for guitar and
string quartet. Some performances even
use castanets to enhance this manifestly Spanish work. It is amazing that well within the
Classical Period framework, a vast array of textures and string effects were
explored by the adventurous Boccherini.
Players and audiences alike will be captivated by the sheer elegance
and vibrancy of this music. |
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|
ES 63 |
3.5 2 1.5 & 1 |
The
Armed Man Sees the Light by
Stephen
Chin (4 String Orchestras and Untuned Percussion) Listen
to The Armed Man Sees the Light This work is ideal for a
festival orchestra with players at many different levels. Written for four string orchestras and
un-tuned percussion, it is based on the mediaeval tune “L’Homme Arme” which
describes a sword wielding warrior.
The middle section, featuring a violin solo, is a lullaby where the
armed man reflects quietly upon his
experiences at war. The final section,
founded on the South African song “Simbayama”, is a
celebration of the armed man walking in the light of peace and liberty. |
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|
ES 64 |
3.5 |
Jigs
in the Mist by Stephen Chin Immediately from the opening
you can sense the mist, moist earth and expanse of time. One can imagine people from a bygone era
dancing with great energy and joy. The work brims full of melodies and
counter-melodies that dart from one section of the orchestra to another. The middle section features a string
quartet solo that is interrupted by tutti utterances. Players and audiences will love the
variety of textures, wide range of
dynamics and haunting tunes that shape this work. |
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|
ES 65 |
1 |
Sunrise
at Kakadu & Twilight Trek by Stephen
Chin Kakadu is recognized as one of
Australia’s most beautiful national park.
Amongst other things, it is known for its prolific wildlife. The first of these two pieces explores the
mood that one would feel at sunrise looking over an expanse of water as all
forms of bird life awaken. There is a section where players can improvise to
reflect this wondrous sight. “Twilight Trek” in contrast to this, describes a
journey by foot at dusk where explorers discover all sorts of surprises. The staccato notes, pizzicato melodies and
sudden fortes really communicate the sense of trepidation and excitement. |
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|
ES 66 |
1.5 |
Two
Dances from the German Baroque
by Pachelbel et al arr. Chin Johann Pachelbel is most famous
for his Canon in D. However, he also
wrote a huge number of works including concerti, keyboard suites and organ
compositions. This beautiful Sarabande
is built on a bass that outlines the circle of fifths. Each section has been varied for even
greater interest. The Rigaudon by George Bohm is a vigorous dance that reflects
the charm and proportion of Baroque music. |
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|
ES 67 |
3 |
Concerto
in G by Vivaldi arr. Chin Vivaldi wrote numerous concerti
for a diverse range of instruments.
This was originally written for mandolin and strings. Some of the very
ornate figurations have been slightly adapted whilst the harmonic and formal
structures have remained intact. A
sense of dialogue is created between the sections of the orchestra as the
melodic line is shared. Players will just love the typically Baroque string
crossings, familiar harmonic progressions and the sheer effervescence that
this music imparts. |
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|
ES 68 |
4 3 2 1.5 & 1 |
The
Mariners Tale by
Stephen
Chin (Multi-level Strings with
percussion) Inspired by the poem “The Rime
of the Ancient Mariner” by Samuel Colleridge, this
is a massive festival piece that can be performed by players at all
levels. Written for eight string
orchestras and percussion, the piece opens with a whitewash of sound that
steers towards a plaintive melody. In
turn this leads to a robust jig-like section which evokes the surge and power
of the sea. Only orchestra “A” is
required as percussion and the other seven orchestras are optional. |
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|
ES 69 |
1 |
Chinwagging
by Stephen Chin arr. David Maddick Renowned string pedagogue,
David Maddick, constructed a medley from some of
the more popular tunes that appear in “Thirty Concert Pieces”, an earlier
publication from Everything String (ES 10).
Cheekily named “Chinwagging” for obvious
reasons, it presents a number of fundamental string techniques to the younger
string ensemble member such as legato bowing, string crossing, re-taking,
right and left hand pizzicato. A
fun-filled work underpinned by some solid foundational concepts. |
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|
ES 70 |
1 |
Sixteen
Sensations by
Stephen
Chin (String Orchestra version) Well there is plenty here to
fill even the busiest elementary programme!
Players imaginations will go wild with titles such as “The Still
Before the Storm” , “Fairy Floss, “Ostinato Odyssey” and “Bubbles, to name a few. Players are introduced to a wide variety of
keys and orchestral textures that really promote an early appreciation of
tone colour in music. Techniques such
as harmonics, martele, spiccato, slurred legato,
string crossings, right & left hand pizzicato and tremolo are presented
in a very accessible fashion. |
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|
ES 71 |
2 |
Rooster
Rag by Stephen Chin Here’s one for your early
morning rehearsal! The
“cock-a-doodle-do” rhythm, which is at the start of the piece, is sprinkled
throughout the work. The rather funky
rooster tune is supported by a falling bass line which is characteristic of
so many rag tunes. The form is rondo
so many of the sections are able to play the main theme. The staccato bowing which is so important
in promoting precision in bowing is a main feature of the piece. The catchy tune is guaranteed to remain in
players’ heads for some time! |
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|
ES 72 |
2.5 |
Citadel
by Stephen Chin For centuries, civilizations
have built citadels (walled fortresses) to defend their people from
invaders. Some of these, such as
Jerusalem, were as big as a city. This
work, which draws its strength from pounding quavers, biting chords and
rhythmic inflexions, explores the imagery of a strong, passionate yet
fiercely protective community. The
middle section, featuring quietly bowed tremolos and ominous pizzicato,
creates the atmosphere of a still yet edgy night. The main theme returns with even greater
strength and resolve which eventually diminishes as the invaders recede. |
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|
ES 73 |
3 |
Preludio and Ciaconna by
dall’Abaco arr. Stephen Chin Listen
to Preludio and Ciaconna* Evaristo Felice Dall’Abaco lived at the same time as the great composer
Antonia Vivaldi. In fact, it is almost
certain that they were aware of each other’s talents. The opening Prelude
explores the rich tapestry of part-writing that is indicative of the Late
Italian Baroque style. This is
followed by Ciaconna which is a continuous set of
variations on a constant bass.
Cleverly, Dall’Abaco alters the bass line
figurations yet preserves the intrinsic harmony. This is a beautiful work that familiarises
players with a number of textures found in Baroque music. |
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|
ES 74 |
4 |
The Mariner’s Tale by Stephen
Chin (Advanced String Orchestra
Version) This is a slightly shorter
version for conventional string orchestra of the same work for massed
strings. It is inspired by the poem
“The Rime of the Ancient Mariner” by Samuel Colleridge
where the unwarranted killing of an albatross initiates the doom for all on
board a ship in the distant ocean. Only the mariner, who was the perpetrator
of this deed, was spared. The
sentiment of loss and grace pervades the work. The faster section pictures the ship as it
is tossed to and fro by the merciless ocean. |
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|
ES 75 |
1 |
Sixteen
Sensational Solos by
Stephen
Chin (Solo Violin, Viola, Cello or
Double Bass with Piano Accompaniment) Listen
to Sixteen Sensational Solos The Sixteen Sensations for
string orchestra (ES 70) have been arranged so that they can be played by a
solo violin, viola, cello or bass with piano accompaniment. They may also be
played in unison to establish greater uniformity within your ensemble. These
pieces, which are short yet highly descriptive, cover a range of technical
skills such as harmonics, martele, spiccato,
slurred legato, string crossings, right & left hand pizzicato. Studied in conjunction with the orchestral
version, young players will gain even more confidence when playing by
themselves. |
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|
ES 76 |
1 |
Twelve
Curtain Raisers by
Stephen
Chin This set of twelve short works for
very elementary orchestra helps young players discover important string
techniques such as bowed tremolo, sustained bows, accented strokes and simple
double stopping. Hissing, slapping
instruments, foot stomping and improvisation are also added in to make it really fun to play in a string ensemble. Your students will beg you to play their
favourite ones over and over! |
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|
ES 77 |
1.5 |
Two
Postcards from Beijing by
Stephen
Chin Beijing in summer is truly a
wondrous place with many gardens available for people to stroll in. One can imagine the sweet scent of jasmine
filling the air during a nocturnal promenade.
Jasmine Nights utilizes the pentatonic scale and introduces the
players to gentle dissonances and tone clusters. This is followed by the dynamic Dragon Fire
which evokes all the excitement and wonderment of a Chinese New Year
festival. |
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|
ES 78 |
3 |
Frantic by
Stephen
Chin Desperate….agitated…..wild…..anxious…frenzied…..it’s
FRANTIC! This edgy work really packs a
punch as it conjures up all sorts of emotions associated with flight and
fright. The dark tones of G minor in conjunction with relentless quavers,
create a particularly menacing mood. A
noble theme in the cellos is introduced but later gives way to the hammering
quaver textures. Players will enjoy
the drive yet highly expressive qualities of the music. |
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|
ES 79 |
4 |
Allegro
from Sonata in E minor by Mozart arr. Chin Listen
to Allegro from Sonata in E minor Mozart composed over thirty
violin sonatas which were written over a period that basically spanned his
life. Of the later sonatas, this is the only one that is entirely in a minor
key. It is consequently dark, brooding
and full of explosive energy. Spiccato
and martele articulations, so important to
Classical style playing, abound in this work.
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|
ES 80 |
1 |
Two
Night Pieces by Stephen
Chin Faint calls of the night open
the Midnight Serenade. The haunting
melody which is first heard by the second violins is shared throughout the
work above a lilting waltz-like accompaniment. Dark Train is a driving work that is based
on a simple three note ostinato. The
whistle effects heard during the work will no doubt spark much excitement in
younger players! |
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|
ES 81 |
1.5 |
Two
Portraits from Olde England Traditional arr. Chin Listen
to The Wraggle Taggle Gypsies* Both of these works have their
roots in the rich tradition of English folk song. The Greens Bushes tells the story of a
lover who has lost his lass to someone else.
Legato bowing, harmonics and
gentle pizzicato notes help to create this wistful sentiment. On the other hand, the bold and robust
nature of The Wraggle Taggle Gypsies describes the
free spirit of a wandering group of nomads and their hilarious exploits. |
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|
ES 82 |
3 |
Au
revoir Budapest by Stephen
Chin Literally meaning ”Good-bye
Budapest”, this work is in the typical Hungarian czardas style. It opens with a soul searching melody
accompanied by languid strings. This
eventually erupts in a frenetic free for all where various sections of the
orchestra share the main theme. A
joyous D major section is quickly truncated by the return of the compelling
czardas. A gloomy rendition of the opening with solo violin, tremolo upper
strings and pizzicato lower strings adds a mysterious element to the
work. It finally concludes with a
ferocious presto. |
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|
ES 83 |
3.5 |
Caprice
24 by Paganini arr. Chin It is generally accepted that
Nicolo Paganini was the most extraordinary violinist who ever lived. Indeed there are some works that only a few
violinists in the world today can play.
This piece is the last of a set of caprices that represent the zenith
of violin technique. It has also been
the basis of larger works such as the Variations by Rachmaninov. In this arrangement many of the
overwhelming difficulties have been modified.
The melodic, harmonic and formal qualities have been preserved so that
developing players can experience this masterpiece. |
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|
ES 84 |
4 & 2 |
To
the Palace of Light by Stephen Chin (Double String Orchestra
Version) Listen
to To the Palace of Light This substantial multi level work is based on an old English hymn which
describes ones journey through the turmoils of life to one that is brighter
and full of hope hence the title To the Palace of Light. The brooding opening gives away to a turbulent
section followed by very lyrical settings of the original hymn and finally a
faster jig-like episode. Elements of the hymn can be heard all the way
through the work. A wonderful way to
conclude a major concert or festival. |
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|
ES 85 |
1 |
The
Heat Suite by Stephen Chin This three movement work
explores musically different aspects of heat.
Pizzicato, left and right, legato melodies, staccato quarter notes and
double eighth notes are just some of the very manageable techniques that younger
players will find exciting to explore.
A great fun piece for any occasion! |
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|
ES 86 |
2 |
Buccaneer
Rag by Stephen Chin Many familiar old sea shanties
can be heard in this most effective work for lower intermediate string
orchestra. All sections of the
orchestra have a chance to shine as the melody is shared often. A most dynamic and effective piece for
lovers of all things nautical! |
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|
ES 87 |
3 |
Greensleeves Anonymous (c 1690) arr. Chin Greensleeves is a very old
English melody that is well known to so many people. This is an arrangement of the 1690 version
which is a beautiful set of variations possibly written for the viola da
gamba. All sections of the orchestra
have a chance to display their skills.
This is a wonderful way to
develop a great appreciation for the early Baroque style. |
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|
ES 88 |
3.5 |
Allegro Maestoso by Pleyel arr. Chin Ignaz Joseph Pleyel was a
highly respected musician in his day and somewhat of an entrepreneur
eventually running a world famous publishing house in Paris in the early
nineteenth century. This work,
originally written for two violins in 1806, imparts all the majesty and drama
of a late Classical style work.
Being in sonata form,
assertive first subject is contrasted
with a more lyrical second theme.
The movement ends in a brighter
major key. Your orchestra will enjoy
the many contrasts in this most effective arrangement. |
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|
ES 89 |
2 & 1 |
Rainbow by Stephen
Chin (Intermediate and Optional
Elementary strings) This work alludes to the story
of Noah's Flood and the subsequent placing of the rainbow in the sky as a
symbol of peace. The dream-like
opening very soon gives way to a turbulent episode marked by a driving theme
that is shared with different sections of the orchestra. The second orchestra parts though optional,
will certainly add to the sense of excitement and drama. A great work to bring players of different
levels together. |
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|
ES 90 |
1 |
Twelve
Enchanting Trinkets by Stephen
Chin A trinket is an unusual
ornament or charm. This set of quirky
pieces is sure to fire the imaginations of young players. Many aspects of technique such as right and
left hand pizzicato, staccato, spiccato, harmonics and rapid eighth notes are
guaranteed to build the skill level of your beginning orchestra in a fun
way. The memorable tunes that are
often shared around the orchestra, will certainly have your students begging
for more! |
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|
ES 91 |
1.5 |
The
Silver Forest by
Stephen
Chin The shimmering opening sets the
scene in a mythical forest covered in snow.
Here knights ride wildly through the forest wielding their swords and
fighting against dark forces. Your
orchestra will enjoy the haunting tunes and momentum throughout the piece. |
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|
ES 92 |
3 |
Siciliano
and Allegro by Telemann arr. Chin Listen
to Siciliano and Allegro Georg Philipp Telemann was
probably the most prolific composer of all time. His works include 1043
cantatas, 46 passions, 40 operas, over 100 concertos, 700 orchestral suites
and volumes of chamber music. These
two works are drawn from movements of his violin sonatas. The long legato lines in the Siciliano
contrast well with the energetic string crossings in the Allegro. A great set to develop phrasing and clear
articulation in the Baroque style. |
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|
ES 93 |
4 |
To
The Palace of Light by Stephen Chin (Advanced Single String
Orchestra Version) Listen
to To The Palace of Light This substantial work is based
on an old English hymn which describes ones journey through the turmoils of
life to one that is brighter and full of hope hence the title To the Palace
of Light. The brooding opening gives
away to a turbulent section followed by very lyrical settings of the original
hymn and finally a faster jig-like episode. Elements of the hymn can be heard
all the way through the work. A
wonderful way to conclude a major concert or festival. |
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|
ES 94 |
4 |
Four
Australian Folk Songs Traditional arr. Chin (String Orchestra version with
voice and optional percussion) Listen
to Four Australian Folk Songs Finally, an arrangement for
strings, percussion and voice of four of the most memorable Australian folk
tunes that everyone can play and sing!
The vocal part may be sung by a soloist, unison choir or even by the
audience as a sing-a-long. All the
lyrics have been set but the work may also be played as a purely instrumental
work. |
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|
ES 95 |
4 |
The
Irish Blessing by
Stephen
Chin (string orchestra, SSAA choir
and optional bagpipes) For generations the words of
the Irish Blessing with its reference to the land, our children and to the
people who shape our lives, has inspired so many people. This three movement work scored for
strings, SSAA choir and even optional bagpipes is sure to make an impact on
your players and audience alike. |
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|
ES 96 |
0.5 |
Petite
Marche Hongroise by
Stephen
Chin (Beginner Symphony Orchestra) Listen
to Petite Marche Hongroise Want to showcase your beginner
strings and concert band in an orchestra?
Well this is just the piece for your ensemble! Written in the Hungarian style, the rondo
form allows the wind, strings and full orchestra each to be highlighted. The
note values and pitch repertoire are very manageable. A fun way to cap off an evening for music
making novices en masse! |
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|
ES 97 |
0.5 to 1 |
String
Gym by Stephen Chin (50 pieces
- 38 etudes and 12 pieces - for
beginner string orchestra with piano or advanced string accompaniment) Listen
to Etudes nos. 1 – 38 from String Gym* Listen
to Piece #1 from String Gym – Breathing at the Seaside* Listen
to Piece #2 from String Gym – Breathing in the Alps* Listen
to Piece #3 from String Gym – Criss-Cross Drag Bikes* Listen
to Piece #4 from String Gym - Flying
Fox Fun* Listen
to Piece #5 from String Gym – Open String Tango* Listen
to Piece #6 from String Gym -
Carillon* Listen
to Piece #7 from String Gym - Première Valse
* Listen
to Piece #8 from String Gym – Tai Chi* Listen
to Piece #9 from String Gym – Tricky
Monkeys* Listen
to Piece #10 from String Gym – Fire
Eater* Listen
to Piece #11 from String Gym -
Tristesse* Listen
to Piece #12 from String Gym – Beach Buggy Boogie* Finally, here is a generous
collection of 50 etudes and pieces that can be played by a whole string
orchestra within weeks of starting their instruments. Many aspects of technique are covered in
the carefully sequenced group of etudes.
Each work in the collection has a teacher's part that really enhances
the whole musical experience for beginning players. A must for all string orchestras that are
starting their musical journey! |
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|
ES 98 |
2 |
Breathless by Stephen
Chin Flight, fright or fight?
Whatever the feeling, this work will leave you breathless! The edgy rhythms and changes of meter is
certainly evocative of a desperate pursuit.
The lyrical middle section, with the melody line shared by the cellos
and second violins, offers some
respite before the frantic journey resumes. |
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|
ES 99 |
3 |
Fiesta
Barcelona by Stephen
Chin Get out the castanets it's
party time in Barcelona! This work
evokes all the fun and energy found in that marvellous city in Spain. The
very catchy tunes are shared right around the ensemble - even the double
basses soak up a bit of the limelight! Your ensemble will love use of the
Phrygian mode and syncopated rhythms that give Spanish music its true
flavour. |
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|
ES 100 |
4 2 & 1 |
Lux
Angelis by
Stephen
Chin (Multi Level Strings and Percussion - less advanced string
parts and percussion are optional) Listen
to Lux Angelis (just Advanced Strings)* Listen
to Lux Angelis (with Multi Level Strings and Percussion) Lux Angelis, "Light of the
Angels", is an advanced string orchestra work that may be played with
optional grade 1 strings, grade 2 strings,
keyboard and percussion. The notion of light pervading the
universe is, in the composer's opinion, both physical and personal.
This is represented to some extent by the use of suspended chords and
an abundance of harmonics. The appearance of the interval of the
seventh throughout the work is somewhat related to the concept that the world
was created in seven days. There are two interjecting sections that
have much rhythmic drive and dissonance which alludes to the dark forces that
at times are a challenge in our lives. In the composer's opinion, light
will always be more resilient and enduring and piece accordingly concludes
with what can be imagined to be a chorus of angels bathed in heavenly light. |
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|
ES 101 |
3 & 1 |
Canon
in D by Pachelbel arr. Chin (Intermediate and Optional
Elementary strings) The Canon in D by Johann
Pachelbel is one of the most beautiful and enduring works for string
orchestra. This arrangement whilst
faithful to the original work for three violins and basso continuo, includes
an optional adaptation of the violin 3 part for viola, optional grade 1
string parts and an optional keyboard part to add the luxurious texture. The grade 1 string parts could even be
performed independently. A wonderfully
all-inclusive arrangement of a work that is universally loved! |
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ES 102 |
2 |
The
Swans of Lir by Stephen
Chin (Strings, Recorders and
Percussion) The Swans of Lir is an Irish legend about a group of young children
who are transformed by dark forces into a swans that float in a lake for 900
years. Finally a bell is tolled,
signifying the end of a lengthy
ordeal. Scored for strings, recorders
and percussion, it is the perfect massed item for a large concert or
festival. |
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|
ES 103 |
2 |
Pagodas
by the Heavenly Lake by Stephen
Chin (Strings, Recorders and
Percussion) Listen
to Pagodas by the Heavenly Lake* The Heavenly
Lake is situated on the
northern part of the Tianshan Mountain range about 2000 meters above sea
level in Xinjiang Province in the northwest corner of China. There is a
myth about this lake. It is said that long ago, a beautiful goddess used to
bathe in this lake and would soak her feet in a smaller lake farther down the
mountain. One day when the goddess was taking a bath, a demon came and
started bothering her. Wanting to rest in peace, she took her hair pin out of
her hair and stabbed the demon into the shore of the lake. The hairpin turned
into what is now a beautiful, large elm tree on the shore of the lake. The
color of the lake is an amazing teal and is so crystal clear that one can
easily see the rocks at the bottom! |
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|
ES 104 |
0.5 To 1 |
My First Pieces – A beginner method for all strings composed
and arranged by Stephen Chin |
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|
ES 105 |
1 |
Two
Glimpses of Shanghai by Stephen
Chin Your elementary string
orchestra will have so much fun with these most evocative works. Written
almost entirely using pentatonic scales, young players will enjoy the
sustained beauty of the chords in
"Sleeping Pandas" and the easy musical gymnastics in
"Acrobats". |
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|
ES 106 |
2 |
The
Swans of Lir by Stephen
Chin (String Orchestra only version) The Swans of Lir is an Irish legend about a group of young children
who are transformed by dark forces into a swans that float in a lake for 900
years. The soulful melody and the lush
accompaniments in the first section "The Lake" reflect this sense of loss and
helplessness. In the more vigorous and
driving second part, "The Rejoicing", the spell is lifted and finally the swans
are transformed back into the children they once were. The very memorable melodies are shared
around the ensemble. Your ensemble and
audience will just love the haunting effect of this work. |
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|
ES 107 |
3 |
Juggernaut by
Stephen
Chin Unrelenting, driving, pounding
are just some of the words that describes this uber dynamic work, Incessant rhythms, ear splitting harmonics
and lush textures give this work so much dimension and integrity. All sections of the orchestra are showcased
thus creating a wonderful cohesion within the ensemble. Sure to be a favourite with ensembles and
audiences alike for years on end! |
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|
ES 108 |
1.5 |
Heart
in the Highlands by Stephen
Chin Listen
to Heart in the Highlands* Inspired by the Scottish poet Robert
Burns, Heart in The Highlands evokes images of the craggy yet exquisite
Scottish highlands. Heart throbbing pizzicati, mysterious harmonics, strong dotted rhythms,
bag-pipe like drones all work together to bring a slice of Scotland to both
your ensemble and audience. |
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|
ES 109 |
4 |
In the Dreams of Zhao – version for Guzheng
and Strings by Stephen Chin Listen
to In the Dreams of Zhao - for Guzheng and Strings In the Dreams of Zhao – version for Piano and
Strings by Stephen Chin Listen
to In the Dreams of Zhao - for Piano and Strings The Emperor Zhou, who reigned
in China around the ninth century BC, is generally attributed as the creator
of the Iching which is a series of texts that help
interpret thoughts and dreams. The
work starts with an expanse of harmonics that shroud a truly plaintive
melody. This leads into an energetic section that evoke many aspects of what
one would imagine to be a vibrant life
in ancient China. All sections of the
orchestra are featured effectively. At
one point all the main themes are combined to create a truly dreamlike
state. The work concludes with
thrilling cascades of repeated sixteenth notes. |
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|
ES 110 |
3 |
Inferno by
Stephen
Chin An intense fire or inferno of any
sort is one of the most terrifying things anyone can encounter in their
life. It is relentless, ruthless yet
in some ways purging and cleansing.
Smoke, flying sparks, crashing embers and burning heat are just some
of the images that are brought to mind in this work. Players will enjoy the momentum of the
constant sixteenth notes, the unbridled dissonances, the challenge of
changing meters and the brutality of the Bartok pizzicati. The contrasting middle section is eerily
still with a reference to the life that can spring forth in the aftermath of
a bushfire or similar. |
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|
ES 111 |
2 |
Gobi
Warriors by
Stephen
Chin The warriors from the Gobi
Desert were one of the the most feared people
ever. They were eventually led by Ghengis Khan. In
this work, one can just picture them riding across the plains of Mongolia
into China. The driving eighth notes,
dissonant chords and the pounding melody paint a vivid picture of the great
might of these fearsome soldiers whilst in battle. The middle section uses the pentatonic mode
to convey a calmer side to the warriors as they rest at night. The work closes with much ferocity as the
warriors move mercilessly to their next battle. |
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|
ES 112 |
0.5 to 1 |
A
Dozen More Dazzlers by
Stephen
Chin
The transition for the beginner
player into a string orchestra is quite a wonderful journey. In a similar
vein to the earlier publication A Dozen Dazzlers, these works are just
the thing for the beginning ensemble player. Unison, simple part and call-
response writing prepare the players for the greater demands of playing in a
full string orchestra. All parts have
been carefully crafted for the near beginner player so that they can easily
concentrate on essential ensemble skills. Pizzicato, legato, staccato and
harmonics are just a few techniques that are exposed to the young
player. Your students' imaginations
will run wild with these attractive and evocative pieces. |
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|
ES 113 |
4 |
In
the Dreams of Zhao by
Stephen
Chin (String Orchestra only version) Listen
to In the Dreams of Zhao* The Emperor Zhou, who reigned
in China around the ninth century BC, is generally attributed as the creator
of the Iching which is a series of texts that help
interpret thoughts and dreams. The
work starts with an expanse of harmonics that shroud a truly plaintive
melody. This leads into an energetic
section that evoke many aspects of what one would imagine to be a vibrant life in ancient China. All sections of the orchestra are featured
effectively. At one point all the main
themes are combined to create a truly dreamlike state. The work concludes with thrilling cascades
of repeated sixteenth notes. |
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|
ES 115 |
0.5 - 1 |
Nightscapes by Stephen
Chin Listen
to #1 – Bumps in the Dark Listen
to #2 – Far Away Dreams |
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|
ES 116 |
2 |
A
Celtic Concerto Grosso by
Stephen
Chin Listen
to #1 – Mists of the Winter Solstice Listen
to #2 – Road to County Derry Listen
to #3 – The Ballad of Lleucu Llwyd Listen
to #4 – Highland Swords |
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|
ES 117 |
2 |
Pagodas
by the Heavenly Lake
by Stephen Chin (String Orchestra only version) Listen
to #1 – Mirrors of Water |
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|
ES 118 |
3 |
Wars
of the Roses by
Stephen
Chin Fantasia on a theme by Walter
Frye (d 1474) |
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|
ES 119 |
3.5 |
Czardas
– Version 1 – Showcase Strings Monti arr. Chin Czardas
– Version 2 – Solo Violin, Optional Solo 2nd
Violin & Strings Monti arr. Chin Please note that BOTH versions
are included. |
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|
ES 120 |
0.5 - 1.0 |
A
Little Suite of Dreams by Stephen
Chin Listen
to #1 – Slingshot Heaven Listen
to #2 – Carpets in the Clouds Listen
to #3 – The Great Wall of Chocolate |
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|
ES 121 |
2 |
White
Heat by Stephen
Chin |
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|
ES 122 |
3 |
Stratosphere by Stephen
Chin |
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|
ES 123 |
3.5 |
Allegro
molto by Franz
Schubert arr. Chin From Sonatina op 137 no. 1 |
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|
ES 125 |
2 |
And
All Creatures Sang by Stephen
Chin |
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|
ES 126 |
2 |
Journey
of the Tall Ships by
Stephen
Chin Listen
to Journey of the Tall Ships |
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|
ES 127 |
1 |
Two
Australian Sea Pictures by Stephen
Chin Listen
to #1 - The Gentle Boats at Port Fairy Listen to #2 - Storm over the Twelve Apostles |
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|
ES 128 |
3 |
Riding
with Eagles by
Stephen
Chin |
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|
ES 130 |
2.5 |
Frome New
by Stephen Chin View the video of the music and score This
work focuses on the English Surveyor Edward Frome (1809 – 1890) who
discovered one of the salt lakes in South Australia. It juxtaposes the harsh Australian
landscape with Frome’s English heritage.
A video
on the string techniques used can be found at https://vimeo.com/397885607 |
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|
ES 131 |
1.0 |
Two Holiday Snaps
by
Stephen
Chin |
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|
ES 132 |
2.5 |
Two
Tiny Tangos by
Stephen
Chin Listen
to #1 – Tango del_Tucán Listen
to #2 – Tango_de Tijuana |
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|
ES 133 |
4 |
Symphony
no 39 in G minor by
Josef
Haydn arr. Chin 1st
Movement
Listen
to Symphony no.39 - 1st Movement |
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|
ES 134 |
3.5 |
Birthday
Tango by
Mildred
Hill arr. Chin |
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|
ES 137 |
1.0 |
Twelve Marvellous Miniatures New
by Stephen Chin View the video of music and
score of each one:
A
set of especially fun, yet imaginative works that explore a wide range of
melodic, rhythmic, expressive, and textural elements that will both excite
and challenge young string players. |
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|
ES 139 |
4.0 |
La Tempesta di Mare New
by Antonio Salieri (1750 – 1825) arr. Chin View the video of the
music and score La
Tempesta di Mare is the overture to Salieri’s Opera Cesare in Farmacusa. It
tells of the boy Julius Caesar’s journey by sea in the treacherous storm to Farmacusa, near Sicily.
The plot abounds with pirates, gypsy lovers and of course Roman gods,
all of which provided much entertainment to the audiences at that time. |
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|
ES 140 |
0.5 - 1 |
A Trio of Lights New
by Stephen Chin |
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|
|
View the video of music and
score of each one: 1.
Twilight 2.
Moonlight 3. Sunlight The various characteristics of different
lights that a person may experience in one day, has always interested me. In
this set of pieces, the gentle mood of twilight and mysterious ambiance of
being in moonlight is juxtaposed with the joy of bathing in radiant sunlight.
A wide range of melodic, rhythmic, expressive, and textural elements such as
pizzicato, tremolo and harmonics are used throughout to portray these
impressions. |
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|
ES 141 |
2.0 |
Two Silk Screens from Kyoto New
by Stephen Chin |
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|
|
View the video of music and
score of each one: 1.
Cranes 2.
Samurais I
was inspired to write these two pieces from a visit to Japan some years
ago. They are just a little snapshot
of so many exquisite memories of such a beautiful country. The wistful
elegance of cranes in the wilderness wandering on a lake’s edge is contrasted
with the dynamic and athletic movements of samurais in action. The use of the Japanese scale, Hirajōshi
and other pentatonic scales are used frequently throughout the set. |
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|
ES 142 |
3.5 |
Perpetuum Vigorem New
by
Stephen Chin |
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|
|
View the video of music and
score here: Whether you are dancing without boundaries, creating something
inspirational or even putting all your energy in a vigorous gym class, that
sensation of being propelled forward into a positive place for whatever you
do, is the inspiration for this work. Driving rhythms, vividly contrasting
textures, and a range of carefully crafted melodic lines underpin this work. |
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|
ES 143 |
0.5 - 1 |
Two Treasures from the Ming Dynasty by
Stephen
Chin |
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|
|
View the video of music and
score of each one: 1.
Lotus The Ming Dynasty (1368 – 1644) was an extraordinary period in China’s
history largely due to exploration and the opening of trade routes to Europe,
Africa and throughout the Indian Ocean.
The population of China literally doubled during this time. The
Imperial Court was the heart of the flourishing arts where literature, music,
painting, sculpture, and ceramic masterpieces achieved astonishing levels of
refinement. It was also the meeting place of important visitors from far away
counties. The contemplative image of the lotus and the energetic portrayal of
horses often appeared in the arts to express the serenity and yet the
strength of the court. The use of
sustained notes, open strings, harmonics, energetic retakes, and driving
quavers all combine to reflect these sentiments. |
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|
ES 144 |
2.5 |
The Cliffs of Moher by
Stephen
Chin |
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|
|
View the video of music and
score here: The Cliffs of Moher are found on the west coast of Ireland and tower
about two hundred meters above the Atlantic Ocean. Large colonies of birds
live on the cliffs and a wide range of sea life including grey seals,
porpoises, dolphins and minke whales can be seen roaming the ocean. In this work, I wanted to express, amongst other things, the feeling of
sea spray on one’s face, the wistful nature of the green pastures, the
dancing in the nearby towns and of course the grandeur of the cliffs
themselves. To convey this, a range of
textures such as gentle pizzicato, higher sustained notes, bass line
melodies, a pensive
violin solo and insistent quavers appear. |
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|
ES 145 |
3.5 |
Symphony no. 60 (I) Josef Haydn
arranged by Stephen Chin |
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|
View the video of music and
score here: Haydn’s output of 104 symphonies is truly one of the great marvels in
music. His adoring audiences waited
with great anticipation for the next symphony to be written as each was
unique and imparted elements of exceptional beauty, vigour,
quirkiness, and surprise. Symphony no. 60 demonstrates this so well. It comprises material from an earlier
composition of incidental music to a play Il Distratto
(the distracted one) which tells the story of an absent-minded gentleman
who almost forgot his own wedding.
This aspect is clearly portrayed in this movement as the decrescendo
melody line is suddenly interrupted by a fortissimo tutti. It is somewhat the
Surprise Symphony before its time! This arrangement for strings is faithful to the original work with the
added features of sharing the melodic lines, a slight editing of a few bars
of the bass part, a violin 3 part and a keyboard realization. It is also an
excellent way to develop Classical style spiccato in more advanced players. |
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|
ES 146 |
1 |
Pets 1. Presto
Puppies 2. Cantabile Kitties 3. Con Brio Birdies
New by
Stephen
Chin |
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|
|
|
View the video of the music: We all love our
pets, and every day seems to bring a new set of adventures! Presto Puppies
features rising scale patterns and some surprising dissonances. Cantabile
Kitties expresses the more subdued nature of our feline friends. Intervals of the major seventh recall a
kitten lazily sprawling out and yawning. Con Brio Birdies depicts the
chattering of birds with repeated quavers and soft dissonances. Fun harmonics, regular pizzicato, left-hand
pizzicato and Bartok pizzicato also appear throughout the suite. |
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|
ES 147 |
3 |
Groundbreaker
New by Stephen
Chin |
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|
|
|
View the video of music and
score here: I
am always astounded with the power of earth moving equipment. I am also so impressed with humans who in
exploring new territory whether in the Sciences or Arts, break new ground.
The arresting key of G minor, the strong themes and the incessant use of
downbows suggests the driving force of these kinds of ground breakers. |
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|
ES 148 |
3.5 |
Sinfonia in D (I) New
Johann
Stamitz arranged by Stephen Chin |
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|
|
|
View the video of music and
score here: Johann Stamitz,
born in what is now the Czech Republic, was one of eleven children from a musical
family. He was well known as a violin virtuoso and directed the Mannheim
Orchestra which was one of the most distinguished ensembles in European at
that time. They were renowned for
their precision and dazzling control of dynamics. This work is very typical of this early
Classical style and regularly features slow rising textures known as
“Mannheim Rockets” This arrangement
for strings is faithful to the original work with the added features of
sharing the melodic lines, a slight editing of a few bars of the bass part, a
violin 3 part and a keyboard realization. It is also an excellent way to
develop Classical style spiccato in more advanced players |
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|
ES 149 |
3 |
Barrier Reef (coming soon) |
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|
ES 150 |
N/A |
Scales for Progressing Musicians
- VIOLIN Scales for Progressing Musicians
– VIOLA I have always loved scales and really enjoy finding them in all forms
in all types of music. These books, separately published for violin and
viola, aim to take the beginner player through to very advanced
musicians. Each step is carefully
sequenced to make that journey as smooth and effective as possible. There are
many diagrams that younger players may appreciate when learning new scales
and keys. |
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